采访《浪潮》演员

采访《浪潮》演员
采访《浪潮》演员已关闭评论, 22/10/2019, by , in 芝城热点 I Chicago News, 金美翎

Meiling, “With this story, is there any challenges to create such a story to avoid hitting the big wave of stereotype as an African American family?”

Trey, “Yes, in terms of just challenges to avoid it and watch out for navigate? Yes, a lot, I don’t know where to begin, it was a tough movie to make. It has been brewing for a very long time, and they all just click into place with these lovely human-beings. Yeah, it was hard, but amazing, it was the best summer of my life personally.”

金美翎:“当时选择这种黑人家庭的话题展开描述,远离对黑人俗套式的介绍是否有很大的挑战呢?”

特里:“编剧的难度?有很多啊!我都不知道从哪里讲起。这部片子确实很难编剧。我当时酝酿了很久。但这些演员朋友们加入我们这个团体后,好像所有的难题都解开了。这个刚刚过去的夏天跟这些朋友们很爽。”

Meiling, “So with Kelvin, so initially when the movie first got introduced, you are the first person came to Trey’s mind, so how do you feel about that?”

Kelvin, “I was just so grateful, working with one of my best friends, and all the incredible film maker at the same time, you just never get this type of opportunity as a young African American actor. So be able to work with Trey, and suddenly be able to work with Sterling K. Brown, Renee Goldsberry and with this beautiful girl right here, it’s just a blessing.”

金美翎,“凯文,当时特里一开始编剧时,第一个人物想到的 就是让你来演。你对这有什么特别的 想法吗?”

凯文,“我就非常感激啊。既可以跟好朋友合作,又可以加盟其他优秀的演员们的团体。做为一名年轻的黑人演员,这种机会太罕见了。可以和著名的斯特尔林K布朗,还有漂亮的 泰勒合作,是我的荣幸。”

Meiling, “So with beautiful Taylor right here, so what initially attracted you to Waves?”

Taylor, “The biggest thing is that you don’t get characters like this for young woman come along ever. So when I read it, and saw multi-faceted, and nuanced, for an upper class Black American family, it was just so unique, and haven’t told before, so that really intrigued me, and the script is just beautiful. Trey is so talented. I have never seen anything like ‘Krisha’ which is his first film, there was nothing that made me not want to do it. I would be very lucky to be a part of it if I could.”

金美翎:“那么泰勒,当时这部电影是哪里吸引到你的眼球了呢?”

泰勒:“最大的原因是, 像这种女主角的故事在好莱坞是很少看得到的。我读过剧本后,这种多面性经受过细微摩擦的高层次黑人家庭,很少在好莱坞大片里呈现得到的。好剧本也吸引到了我。特里很有才华,《克利夏》是他第一部指导的电影,非常出色。所以我真的找不到任何可以放弃这个机会的理由。我感到非常幸运。”

Meiling, “Very nice. So, there was a rumor spread. Initially it was supposed to be a musical, so how did that come about?”

Kelvin:”It was me, I really wanted some songs to the movie, and I thought if I would put it out there, Trey would write something for me. ”

金美翎:“真好!我好像有听过这样一个传言,就是说这个片子本身是歌舞剧是吧?那这里又是个什么故事?”

凯文:“啊,这个是我。当时我跟特里说,如果你把这个变成歌舞剧, 我一定百分之百投入进去。”

Meiling, “Can you sing a little?”

Kelvin, “hmmm, just kidding!”

金美翎:“你可以唱首吗?”

凯文:“啊啊啊~哈哈,开个玩笑。”

Meiling, “Just one last question, just use one simple emoji to describe your character in this film, what would that be?”

Kelvin, “Let’s say the moon emoji.”

Taylor, “I was going to say that.” Kelvin, “Really?”

Taylor, “The moon emoji for both of us, the one where that half of the moon. I like that black and yellow moon together. They look at each other, and they are beautiful.”

金美翎:“最后一个问题:你们可以用最简单的一个电子表情来描述你在片中的人物心情吗?”

凯文,“我喜欢那个月亮的表情。”

泰勒:“我刚刚就想说那个。”

凯文:“是嘛?”

泰勒:“月亮的是描述我们两个的。我喜欢那个一半黑色脸,一半是月亮脸的。正反脸看对方,多可爱。”

Meiling, “One last one. What type of message would you like to send to the audience?”

Trey, “I hope people get to the other side of the film, and feel some empathy and humanity for these characters, and feel some hope. And honestly, something I’ve been thinking about a lot lately is, ‘communication.’ The communication between families, the communication between parents and their children, and children to their parents.”

金美翎:“最后一道问题:你想让观众有什么观后感呢?”

特里:“我希望大家可以可以用 另外一种心情去看这部电影。对中心人物带有同情心,要感到希望所在。最近一直在反省“交流方式”这个方面的 话题,就是父母及子女之间的 交流方式。怎样表达最合适。”

About Lo, Kitty